Time-Based Media
Documentation and Performance
Cane, Simon. 2009. “Why Do We Conserve? Developing Understanding of Conservation as a Cultural Construct.” In Conservation Principles, Dilemmas and Uncomfortable Truths, edited by Alison Richmond and Alison Lee Bracker, 163–76. Butterworth-Heinemann in association with the V&A Museum, London.
Domínguez Rubio, Fernando. 2014. “Preserving the Unpreservable: Docile and Unruly Objects at MoMA.” Theory and Society 43. https://doi.org/10.1007/s11186-014-9233-4.
Dykstra, Steven. 1996. “The Artist’s Intentions and the Intentional Fallacy in Fine Arts Conservation.” Journal of the American Institute for Conservation 35 (3): 197–218.
Fiske, Tina. 2009. “White Walls: Installations, Absence, Iteration and Difference.” In Conservation Principles, Dilemmas and Uncomfortable Truths, edited by A. Richmond and A. Bracker, 229–40. Oxford: Butterworth Heinemann.
Galla, Amareswar. 1995. “Authenticity: Rethinking Heritage Diversity in a Pluralistic Framework.” In Nara Conference on Authenticity in Relation to the World Heritage Convention, Nara, Japan, 1-6 November 1994, edited by Knut Einar Larsen, 315–22. Paris: UNESCO World Heritage Centre.
Giebeler, J., Sartorius, A., & Heydenreich, G. (2019). The Decision-Making Model for Contemporary Art Conservation and Presentation. https://www.th- koeln.de/mam/downloads/deutsch/hochschule/fakultaeten/kulturwissenschaften/f02_cics_gsm_fp__dmmcrmac_190407a.pdf.
Gordon, Rebecca. 2015. “Documenting Performance and Performing Documentation: On the Interplay of Documentation and Authenticity.” Revista de História Da Arte 4: 146–67.
Gordon, Rebecca, and Erma Hermens. 2013. “The Artist’s Intent in Flux.” CeROArt. https://ceroart.revues.org/3527.
Hölling, Hanna. 2015. “Archival Turn. Towards New Ways of Conceptualising Changeable Artworks.” Acoustic Space 14 (DATA DRIFT. Archiving Media and Data Art in the 21st Century): 73–88.
Hölling, Hanna. 2017. “The Technique of Conservation: On Realms of Theory and Cultures of Practice.” Journal of the Institute of Conservation 40 (2): 87–96. https://doi.org/10.1080/19455224.2017.1322114.
Hölling, Hanna. 2016. “The Aesthetics of Change: On the Relative Durations of the Impermanent and Critical Thinking in Conservation.” In Authenticity in Transition: Changing Practices in Art Making and Conservation, edited by Erma Hermens and Frances Robertson, 13–24. London: Archetype Publications.
Irivin, Sherri. 2005. “The Artist’s Sanction in Contemporary Art.” Journal of Aesthetics and Art Criticism 63 (4): 315–26.
Jones, Amelia. 1997. “‘Presence’ in Absentia: Experiencing Performance as Documentation.” Art Journal 56 (4): 11–18.
Jones, Siân. 2010. “Negotiating Authentic Objects and Authentic Selves.” Journal of Material Culture 15 (2): 181–203.
Latour, Bruno, and Adam Lowe. 2010. “The Migration of the Aura or How to Explore the Original through Its Fac Similes.” In Switching Codes, edited by Thomas Bartscherer, 275–297. Chicago: University of Chicago Press. http://www.bruno-latour.fr/sites/default/files/108-ADAM-FACSIMILES-GB.pdf.
Laurenson, Pip. 2011. “Vulnerabilities and Contingencies in the Conservation of Time-Based Media Works of Art.” In Inside Installations. Theory and Practice in the Care of Complex Artworks, edited by Tatja Scholte and Glenn Wharton, 35–42. Amsterdam: Amsterdam University Press.
Laurenson, Pip. 2005. “The Management of Display Equipment in Time-Based Media Installations.” Tate Papers Spring (3).
Laurenson, Pip. 2006. “Authenticity, Change and Loss in the Conservation of Time-Based Media Installations: A Conceptual Framework for Traditional Fine Art Conservation.” Tate Papers 6. http://www.tate.org.uk/download/file/fid/7401
Lawson, Louise, Acatia Finbow, and Hélia Marçal. 2019. “Developing a Strategy for the Conservation of Performance-Based Artworks at Tate.” Journal of the Institute of Conservation 0 (0): 1–21.
Lepecki, André. 2010. “The Body as Archive: Will to Re-Enact and the Afterlives of Dances.” Dance Research Journal 42 (2): 28–48.
Macedo, Rita, Hélia Marçal, Andreia Nogueira, and António M Duarte. n.d. “The Poetics of Discourse From Artistic Intention to Spectator’s Perception in the Artist’s Point of View.”
Marçal, Hélia Pereira. 2017. “Conservation in an Era of Participation.” Journal of the Institute of Conservation 40 (2): 97–104.
Marçal, Hélia, and Rita Macedo. 2017. “From the Periphery to the Centre- Community Engagement and Justice in Conservation Decision Making.” ICOM-CC 18th Triennial Conference 2017 Copenhagen.
Marçal, Hélia, and Rita Macedo. 2017. “The Aim of Documentation: Micro-Decisions in the Documentation of Performance-Based Artworks.” ICOM-CC 18th Triennial Conference 2017 Copenhagen, no. 1975.
Phillips, Joanna. 2015. “Reporting Iterations: A Documentation Model for Time-Based Media Art.” Edited by Lúcia Almeida Matos, Rita Macedo, and Gunnar Heydenreich. Revisita de História Da Arte 4: 168–79.
Phillips, Joanna. 2012. “Shifting Equipment Significance in Time-Based Media Art.” Electronic Media Review 1: 139–54.
Saaze, Vivian van. 2013. Installation Art and the Museum: Presentation and Conservation of Changing Artworks. Amsterdam: Amsterdam Univ. Press.
Sterrett, Jill. 2009. “Contemporary Museums of Contemporary Art.” In Conservation Principles, Dilemmas and Uncomfortable Truths, edited by Alison Richmond and Alison Lee Bracker, 2007:223–28. Butterworth-Heinemann in association with the V&A Museum, London.
Vall, Renée van de. 2015. “The Devil and the Details: The Ontology of Contemporary Art in Conservation Theory and Practice.” British Journal of Aesthetics 55 (3): 285–302.
Vall, Renée van de, Hanna Hölling, Tatja Scholte, and Sanneke Stigter. 2011. “Reflections on a Biographical Approach to Contemporary Art Conservation.” In ICOM-CC: 16th Triennial Conference, Lisbon, 19-23 September 2011, edited by J. Bridgland, 1–8. Lisbon: Almada: Critério.
Wharton, Glenn. 2015. “Artist Intention and the Conservation of Contemporary Art.” AIC Objects Specialty Group Postprints 22.
Neon
Art and Design
Buscarlet, Alain. “Concrete-Neon: A Paradoxical Alliance in Modern Sculpture.” Leonardo 23, no. 1 (1990): 31–34. https://doi.org/10.2307/1578461.
Mohen, Jean-Pierre. “L’art et l’électricité.” Techné, no. 12 (n.d.): 120.
“Néon, Who’s Afraid of Red, Yellow and Blue? - Announcements - e-Flux.” Accessed April 28, 2019. https://www.e-flux.com/announcements/34405/non-who-s-afraid-of-red-yellow-and-blue/.
“‘Neon, Who’s Afraid Of Red Yellow And Blue?’ Examines History Of Flashing Lights (PHOTOS) | HuffPost.” Accessed April 28, 2019. https://www.huffpost.com/entry/neon-whos-afraid_n_1364419.
Popper, Frank. “The Place of High-Technology Art in the Contemporary Art Scene.” Leonardo 26, no. 1 (1993): 65–69. https://doi.org/10.2307/1575783.
“Public Art in Los Angeles: Neon Signs along Wilshire Boulevard and Other Places in the Los Angeles Area.” Accessed February 7, 2019. http://www.publicartinla.com/neon_signs/.
Ribbat, Christoph. Flickering Light : A History of Neon. Reaktion Books, 2013.
Schöttle, Rüdiger. Neondekorationen : “Entwicklungen” Aus Bauhaus, De Stijl Und Matisse. Stuttgart: Fey, 1979.
Stern, Rudi. The New Let There Be Neon. New York: H.N. Abrams, 1988.
Stouffer, Hannah. Lust for Light. Gingko Press, 2018.
Webb, Michael. The Magic of Neon. Salt Lake City: G.M. Smith, 1983.
Weibel, Peter. Light Art from Artificial Light : Light as a Medium in 20th and 21st Century Art = Lichtkunst Aus Kunstlicht : Licht Als Medium Der Kunst Im 20. Und 21. Jahrhundert. Ostfildern : New York: Hatje Cantz ; D.A.P., Distributed Art Publishers [distributor], 2006.
Yot, Richard. Light for Visual Artists : Understanding & Using Light in Art & Design. London: Laurence King, 2011.
Manufacture
Eccles, Henry. Glass Working for Luminous Tubes. London: Blandford Press, 1937.
“Hermetic Packages, Glass to Metal Seals, Ceramic Hermetic Packages, Microwave Packages & Fiber Optic Packages.” Accessed March 4, 2019. http://www.sinclairmfg.com/datasheets/optical3.html.
“How to Properly Bombard the Cold Cathode Lamps - Tecnolux | Outdoor Light, Architectural Lighting, Recessed Lighting, Fluorescent Lights, Modern Lighting, Custom Lighting, Cove Lighting, Led Lights, Outdoor Lighting Fixture.” Accessed March 4, 2019. http://www.tecnolux.com//index.php?option=com_content&task=view&id=111&Itemid=92.
“Neon Color Clear Glass - Tecnolux | Outdoor Light, Architectural Lighting, Recessed Lighting, Fluorescent Lights, Modern Lighting, Custom Lighting, Cove Lighting, Led Lights, Outdoor Lighting Fixture.” Accessed March 4, 2019. http://www.tecnolux.com/index.php?option=com_content&task=view&id=51.
“Neon Glass.” New Generation Solutions. Accessed April 18, 2019. http://newgenerationsolutions.co.za/neon-glass/.
Schiess, Christian. “Transportable Neon Equipment for the Light Sculptor.” Leonardo 24, no. 1 (1991): 19–22. https://doi.org/10.2307/1575463.
“Selected White Float Glass, Low-Cost, High-Quality Thin Glass.” Accessed March 4, 2019. https://www.pgo-online.com/intl/selected-float-glass.html.
“Stazon Blockout Paint | FMS Sign Products.” Accessed March 4, 2019. https://www.brillite.com/products/paint.php.
Strattman, Wayne. Neon Techniques. 4 edition. ST Media Group International Inc., 1997.
“Technical Note on Neon Filled Uncoated Tubes (English - Italian) - Tecnolux | Outdoor Light, Architectural Lighting, Recessed Lighting, Fluorescent Lights, Modern Lighting, Custom Lighting, Cove Lighting, Led Lights, Outdoor Lighting Fixtures.” Accessed March 4, 2019. http://www.tecnolux.com//index.php?option=com_content&task=view&id=96&Itemid=92.
Technical
Bender, Jennifer. “Sign Shop in Columbus, OH | Commercial Signage.” DāNite Sign Co. (blog), January 16, 2015. http://danitesign.com/cold-weather-considerations-signage-signs-dont-like-cold-either/.
Boyd, Jane, and Joseph Rucker. “A Blaze of Crimson Light: The Story of Neon.” Science History Institute, June 2, 2016. https://www.sciencehistory.org/distillations/magazine/a-blaze-of-crimson-light-the-story-of-neon.
“How to Properly Bombard the Cold Cathode Lamps - Tecnolux | Outdoor Light, Architectural Lighting, Recessed Lighting, Fluorescent Lights, Modern Lighting, Custom Lighting, Cove Lighting, Led Lights, Outdoor Lighting Fixture.” Accessed March 4, 2019. http://www.tecnolux.com//index.php?option=com_content&task=view&id=111&Itemid=92.
Jennato, Scott, and Harold Rothwell. “Neon: A Mercury-Free, Multi-Colored Light Source.” SAE Transactions 105 (1996): 1114–20.
Lekson, Matthew, and Jianzhong Jiao. “Study of Tubular Volume Light Source Intensity Distribution.” SAE Transactions 107 (1998): 700–704.
“Mercury in Neon Signs and Cold Cathode Lamps - Tecnolux | Outdoor Light, Architectural Lighting, Recessed Lighting, Fluorescent Lights, Modern Lighting, Custom Lighting, Cove Lighting, Led Lights, Outdoor Lighting Fixture.” Accessed March 4, 2019. http://www.tecnolux.com//index.php?option=com_content&task=view&id=95&Itemid=92.
“Neon | Heinrich Pniok – Periodensystem Der Chemischen Elemente.” Accessed April 15, 2019. https://www.pse-mendelejew.de/en/neon/.
“Neon and Argon Glow Lamps - How They Work & History.” Accessed April 28, 2019. https://edisontechcenter.org/NeonLamps.html.
“Neon Color Clear Glass - Tecnolux | Outdoor Light, Architectural Lighting, Recessed Lighting, Fluorescent Lights, Modern Lighting, Custom Lighting, Cove Lighting, Led Lights, Outdoor Lighting Fixture.” Accessed March 4, 2019. http://www.tecnolux.com/index.php?option=com_content&task=view&id=51.
“Neon Glow Lamps: More than Simple Light Sources.” Accessed April 15, 2019. http://www.giangrandi.ch/electronics/neon/neon.shtml.
“Neon Lamp.” Wikipedia, March 4, 2019. https://en.wikipedia.org/w/index.php?title=Neon_lamp&oldid=886071421.
Our Berlin Correspondent. “Neon Light.” Scientific American 104, no. 7 (1911): 189–189.
“Red Light Shines through Fog.” The Science News-Letter 13, no. 373 (1928): 349–50. https://doi.org/10.2307/3904409.
Strattman, Wayne. Neon Techniques. Fourth edition. ST Media Group International Inc., 1997.
Tacconi, Bruce. “Rare Gases: The Soul of the Luminiscent Tubes - Tecnolux | Outdoor Light, Architectural Lighting, Recessed Lighting, Fluorescent Lights, Modern Lighting, Custom Lighting, Cove Lighting, Led Lights, Outdoor Lighting Fixture.” Letreros, Neon: a successful invention. Accessed March 4, 2019. http://www.tecnolux.com//index.php?option=com_content&task=view&id=99&Itemid=92.
“Timeline of Lighting Technology.” Wikipedia, December 11, 2018. https://en.wikipedia.org/w/index.php?title=Timeline_of_lighting_technology&oldid=873191074.
Yeung, Philip. “Voltage of a Neon Light - The Physics Factbook,” 2004. https://hypertextbook.com/facts/2004/PhilipYeung.shtml.
Maintenance
Crowe, Michael F. “Neon Signs: Their Origin, Use, and Maintenance.” APT Bulletin 23, no. 2 (1991): 30–37. https://doi.org/10.2307/1504382.
“Safe Cable for Outdoor Neon Signs Now Available.” The Science News-Letter 57, no. 8 (1950): 123–123.
Strattman, Wayne. Neon Techniques. 4 edition. ST Media Group International Inc., 1997.
Conservation, Restoration, Preservation
Auer, Michael J. “The Preservation of Historic Signs.” In The Preservation of Historic Architecture: The U.S. Government’s Official Guidelines for Preserving Historic Homes, by Department of the Interior. Rowman & Littlefield, 2004.
Beerkens, Lydia. “The Preservation of a City of Light: Mario Merz Città ’irreale 1968-69.” In Modern Art - Who Cares, by Jan Hein Sassen, 66–77, 2005.
“Conservation and Restoration of Neon Objects.” Wikipedia, December 14, 2018. https://en.wikipedia.org/w/index.php?title=Conservation_and_restoration_of_neon_objects&oldid=873765131.
Eipper, Paul-Bernhard. “UV-Schutzvorkehrungen an Beleuchtungskörpern. (UV Protection for Lighting Fixtures).” Mitteilungsblatt (Museumsverband Für Niedersachsen Und Bremen e.V.), no. 55 (1998): 65–68.
Gerst, Karen. “Preservation in Los Angeles.” Conservation: The GCI Newsletter 13, no. 3 (Fall 1998): 11–15.
“How to Troubleshoot Neon Lights | Hunker.” Accessed April 15, 2019. https://www.hunker.com/12469472/how-to-troubleshoot-neon-lights.
Kata, Sonia. “And There Was Light: Restoring the Notman & Son Neon Sign.” presented at the AIC’s 47th Annual Meeting, New England, May 14, 2019.
“Lights On! The Conservation of the Notman & Son Neon Sign.” Musee McCord. Accessed March 4, 2019. https://www.musee-mccord.qc.ca/en/conservation/notman-son-neon-sign/.
Lorenzen, Astrid. “Let There Be Light.” Restauro, no. 1 (2016): 36–39.
“Museum of Neon Art.” Wikipedia, August 8, 2017. https://en.wikipedia.org/w/index.php?title=Museum_of_Neon_Art&oldid=794505041.
“Neon Light Problems | Techwalla.Com.” Techwalla. Accessed March 4, 2019. https://www.techwalla.com/articles/neon-light-problems.
“Neon Shop Blog - Evrglo Neon Signs.” Accessed April 15, 2019. https://www.custom-neon-signs.com/Blog.
Osdene, Stefan. “American Neon Signs: Illumination and Consumerism (Dissertation).” Accessed April 28, 2019. https://www.academia.edu/20577508/American_Neon_Signs_Illumination_and_Consumerism_Dissertation_.
Pugliese, Marina, Barbara Ferriani, and Iolanda Ratti. “Materiality and Immateriality in Lucio Fontana’s Environments: From Documentary Research to the Reproduction of Lost Artworks.” Studies in Conservation 61, no. 2 (June 1, 2016): 188–92. https://doi.org/10.1080/00393630.2016.1181925.
Singhal, R. P., D. E. Rio, P. F. Schippnick, and A. E. S. Green. “Electron Energy Degradation in Neon.” Radiation Research 95, no. 1 (1983): 32–44. https://doi.org/10.2307/3576069.
Strattman, Wayne. Neon Techniques. 4 edition. ST Media Group International Inc., 1997.
“Wayne Strattman: The Workings of a Luminous Tube - Strattman Design - Neon, Plasma, Crackle, Lightning.” Accessed April 17, 2019. http://www.strattman.com/articles/luminoustubes.html.
Wetten, K van. “Vom Umgang Mit Hochspannungs-Leuchtröhren an Kunstobjekten Am Beispiel von Bruce Nauman, Joseph Kosuth and Mario Merz. (Dealing with Works of Art Made of High-Intensity Lighting Tubes, Using Examples of Bruce Nauman, Joseph Kosuth and Mario Merz).” Zeitschrift Für Kunsttechnologie Und Konservierung 13, no. 1 (1999): 103–39.
“Zenith Neon Radio-TV Sign (1950s).” Phil’s Old Radios. Accessed March 4, 2019. https://antiqueradio.org/ZenithNeonRadio-TVSign.htm.
Taxidermy
Aloi, Giovanni. Art and Animals. London: I.B. Tauris, 2011.
Carlee, Ellen. “Arsenic Testing Step by Step.” Ellen Carrlee Conservation (blog). Accessed September 19, 2019. https://ellencarrlee.wordpress.com/2009/01/14/arsenic-testing-step-by-step/.
Carter, David, and Annette Walker. Care and Conservation of Natural History Collections. Oxford: Butterworth-Heinemann, 1999.
Child, Robert E. Conservation of Geological Collections. London: Archetype, 1994.
Collins, Chris. Care and Conservation of Palaeontological Material. Boston: Butterworth-Heinemann, 1995.
Covington, A.D. “The Chemistry of Tanning Materials.” In Conservation of Leather and Related Materials, by Marion Kite and Roy Thomson, 22–35. Routledge, 2006.
Delhey, Kaspar, Anne Peters, Bart Kempenaers, and Symposium Editors: Andrew T. D. Bennett and Marc Théry. “Cosmetic Coloration in Birds: Occurrence, Function, and Evolution.” The American Naturalist 169, no. S1 (2007): S145–58. https://doi.org/10.1086/510095.
Derham, Erin. STUFFED Trailer, 2019. https://www.youtube.com/watch?time_continue=90&v=h4Ar527F_8A.
Dickinson, J.A. “Taxidermy.” In Conservation of Leather and Related Materials, by Marion Kite and Roy Thomson, 130–40. Routledge, 2006.
Dove, Carla J, and Sandra Koch. “Microscopy of Feathers: A Practical Guide for Forensic Feather Identification.” Journal of the American Society of Trace Evidence Examiners 1, no. 1 (n.d.): 47.
Eastoe, Jane. The Art of Taxidermy. London: Pavilion, 2013.
Elder, William H. “The Oil Gland of Birds.” The Wilson Bulletin 66, no. 1 (1954): 6–31.
Elkin, Lisa, and Christopher A. Norris. Preventive Conservation: Collection Storage. Society for the Preservation of Natural History Collections, 2019.
Florian, Mary-Lou. Protein Facts: Fibrous Proteins in Cultural Artifacts. London: Archetype Books, 2008.
———. “The Mechanisms of Deterioration in Leather.” In Conservation of Leather and Related Materials, by Marion Kite and Roy Thomson, 36–57. Routledge, 2006.
Gamble, Kathryn C. “Internal Anatomy of the Hornbill Casque Described by Radiography, Contrast Radiography, and Computed Tomography.” Journal of Avian Medicine and Surgery 21, no. 1 (2007): 38–49.
Haines, B.M. “The Fibre Structure of Leather.” In Conservation of Leather and Related Materials, by Marion Kite and Roy Thomson, 11–21. Routledge, 2006.
Hendry, Dick. “Vertebrates.” In Care and Conservation of Natural History Collections, by David Carter and Annette Walker, 1–36. Oxford: Butterworth-Heinemann, 1999.
Howie, Frank. Care and Conservation of Geological Material: Minerals, Rocks, Meteorites and Lunar Finds. 1 edition. Oxford England ; Boston: Butterworth-Heinemann, 1992.
Kevin. “Banksy Beetle.” BUG UNDER GLASS (blog), May 1, 2015. https://bugunderglass.com/banksy-beetle-display/.
Kite, Marion, and Roy Thomson, eds. Conservation of Leather and Related Materials. 1 edition. Boston: Butterworth-Heinemann, 2005.
Lewarne, Clare. “Loss Compensation in Damaged Feathers.” The Ethnographic Conservation Newsletter of the Working Group on Ethnographic Materials of the ICOM Committee for Conservation, no. 26 (December 2005). http://www.icom-cc.org/54/document/ethnographic-conservation-newsletter-26-december-2005/?action=Site_Downloads_Downloadfile&id=156.
Marbury, Robert. Taxidermy Art: A Rogue’s Guide to the Work, the Culture, and How to Do It Yourself. New York, NY: Artisan, 2014.
Milgrom, Melissa. Still Life: Adventures in Taxidermy. Boston Mass.: Mariner Books, 2011.
Morris, Patrick A. A History of Taxidermy: Art, Science and Bad Taste. Ascot: MPM Publishing, 2010.
Nunan, Elizabeth. “In Their True Colors: Developing New Methods for Recoloring Faded Taxidermy” 19 (2012): 21.
Quinn, Stephen Christopher. Windows on Nature: The Great Habitat Dioramas of the American Museum of Natural History. 1st edition. New York: American Museum of Natural History/Harry N. Abrams, 2006.
Ritchie, Fran. “Caribou Pattern Baldness: Investigating Consolidation Techniques for Detaching Caribou Hair. Background and Experimental Research.” National Museum of the American Indian, 2015 2013.
Ritchie, Fran, and Julia Sybalsky. “Tips for Feather Fills.” Objects Specialty Group Postprints 23 (2016): 303–8.
Simmons, John E. Fluid Preservation: A Comprehensive Reference. Lanham: Rowman & Littlefield Publishers, 2014.
Thomson, Roy. “The Manufacture of Leather.” In Conservation of Leather and Related Materials, by Marion Kite, 66–81. Routledge, 2006.
———. “The Mechanisms of Deterioration in Leather.” In Conservation of Leather and Related Materials, by Marion Kite, 58–65. Routledge, 2006.
———. “The Nature and Properties of Leather.” In Conservation of Leather and Related Materials, by Marion Kite, 1–3. Routledge, 2006.
Trail, Pepper. “Identifying the Flight Feathers of the Large Macaws.” Identification Guides for Wildlife Law Enforcement, no. No. 4 (n.d.).
Tunnicliffe, Sue Dale, and Annette Scheersoi, eds. Natural History Dioramas: History, Construction and Educational Role. Springer Netherlands, 2015. https://doi.org/10.1007/978-94-017-9496-1.
Wonders, Karen. Habitat Dioramas: Illusions of Wilderness in Museums of Natural History. Allan Ellenius, 1993.
Stone Conservation
Griswold, John, and Sari Uricheck. “Loss Compensation Methods for Stone.” Journal of the American Institute for Conservation 37, no. 1 (January 1, 1998): 89–110. https://doi.org/10.1179/019713698806082912.
Podany, Jerry, Kathleen M. Garland, William R. Freeman, and Joe Rogers. “Paraloid B-72 as a Structural Adhesive and as a Barrier within Structural Adhesive Bonds: Evaluations of Strength and Reversibility.” Journal of the American Institute for Conservation 40, no. 1 (2001): 15–33. https://doi.org/10.2307/3180010
Price, Monica T. Decorative Stone : The Complete Sourcebook. THAMES & HUDSON edition. London: THAMES & HUDSON, 2007.
Reedy, Chandra L. “Thin-Section Petrography in Studies of Cultural Materials.” Journal of the American Institute for Conservation 33, no. 2 (1994): 115–29. https://doi.org/10.2307/3179421.
Riccardelli, Carolyn. “An Evaluation of Potential Adhesives for Marble Repair.” Holding It All Together: Ancient and Modern Approaches to Joining, Repair and Consolidation. Accessed January 2, 2020. https://www.academia.edu/10323200/An_evaluation_of_potential_adhesives_for_marble_repair
Russell, Rhian, and Brandon Strilisky. “Keep It Together: An Evaluation of the Tensile Strengths of Three Select Adhesives Used in Fossil Preparation.” Collection Forum. Accessed January 2, 2020. https://www.academia.edu/29073367/Keep_it_together_an_evaluation_of_the_tensile_strengths_of_three_select_adhesives_used_in_fossil_preparation.
Schnabel, Lorraine. “Deterioration of Pourous Building Materials.” In Lectures on Materials Science for Architectural Conservation, 59:81–95, 2014. http://www.tandfonline.com/doi/full/10.1179/0039363014Z.000000000151.
Smyth, Andrew W., Patrick Brewick, Raphael Greenbaum, Manolis Chatzis, Anna Serotta, and Isabel Stünkel. “Vibration Mitigation and Monitoring: A Case Study of Construction in a Museum.” Journal of the American Institute for Conservation 55, no. 1 (January 2, 2016): 32–55. https://doi.org/10.1080/01971360.2015.1106817.
Stambolov, T. “The Deterioration and Conservation of Porous Building Materials in Monuments,” n.d., 92.
Winkler, Erhard. “Stone.” In Stone in Architecture: Properties, Durability, 3rd ed., 1–31. Berlin Heidelberg: Springer-Verlag, 1997. https://doi.org/10.1007/978-3-662-10070-7.